Brazil’s beat seduces jazz greats
| FEATURE | 
OLINDA — Brazil’s unique tropical blend of samba-rock-guitar known as MPB (Musica Popular Brasileira) has exerted an irrepressible influence on modern jazz, masters of the genre say.
“Since I  played with John Coltrane in 1961, I started using open intervals on the  chords, distributing the notes of each chord broadly on the piano so the other musicians could play their solos,” McCoy Tyner, a US pianist considered one of jazz’s all-time greats, told AFP.
That  technique mirrored one also used in MPB, a trademark, urban Brazilian  style that emerged in the 1960s as an evolution and a reaction to the  smooth, languorous Bossa Nova wave.
Tyner and fellow musicians Mike Stern, a Jazz-fusion guitarist  who played with Miles Davis, Mario Canonge, a French pianist  championing Latin Jazz, and an irreverent French group known as Selmer  607 were visiting the Muestra Internacional de Musica, an international  music fest in the northeastern Brazilian town of Olinda held last week.
Source: The Daily Tribune
URL: http://www.tribuneonline.org/commentary/20100919com3.html

 
 
 
 
 
 
 

 

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